Miss Tess and The Talkbacks

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Past shows

  • Miss Tess Live from Rockwood

    This show was on Jun 3rd, 2015 | 14 people watched
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  • Miss Tess and The Talkbacks Fundraiser!

    This show was on May 24th, 2015 | 64 people watched
    2 Comments
    • May 25
    • Jun 1
      It was probably wonderful, but the transmission quality was so bad it was not possible to watch/listen. (I checked and my up/download speed was consistently over 50Mbs while the Concertwindow show was failing to stream.
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Bio

“When you decide to go into the studio,” reflects Miss Tess from her home in New York City, “the timing has to be just right.” In fact, uncanny timing informs and enhances nearly everything Tess does, from her disarming, behind-the-beat vocal phrasing to her solid yet gently swinging rhythm guitar. In the years since she first emerged, she has wisely learned to trust her sense of timing. “In... more

“When you decide to go into the studio,” reflects Miss Tess from her home in New York City, “the timing has to be just right.” In fact, uncanny timing informs and enhances nearly everything Tess does, from her disarming, behind-the-beat vocal phrasing to her solid yet gently swinging rhythm guitar. In the years since she first emerged, she has wisely learned to trust her sense of timing. “In this case, we had a batch of unrecorded songs, the studio I wanted to use was available, and the band was tight after touring all year.” The resulting album, Sweet Talk (available October 16), is Tess’s first studio album in three years, her first for Signature Sounds, and the debut of her newly christened backing outfit, The Talkbacks.

While still bearing hallmarks of the simmering, jazz-inflected sound that has made Tess and her former band the Bon Ton Parade a club and festival favorite, Sweet Talk introduces a more personal mix of influences. By blending her knack for melodic and rhythmic improvisation and interplay with elements of honky-tonk, western swing, and golden-era pop standards, she and her multifaceted supporting band have arrived at a style simultaneously refreshing and hauntingly familiar. “By changing the name of the band,” she
says, “I wanted to let people know that our sound had evolved: now there’s a much stronger country and early rock’n’roll influence—and different instrumentation.”

“For years,” she continues, “I featured sax and clarinet in the band, which has a certain connotation in a lot of people’s minds and ears. By replacing woodwinds with a second guitar, the sound becomes more versatile. We can still swing, but we also sound
more country. I find I’m also writing differently: there’s a more rooted, Americana influence. There’s still an aesthetic from the ‘40s and ‘50s in play, but we’re mixing in these country, blues, jazz, and early rock’n’roll influences in a way that really feels new to me.”

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