The Hot Seats

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Past shows

  • Home for the Holidays: The Hot Seats

    This show was on Dec 20th, 2014 | 42 people watched
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Bio

“I wonder if 'for a good time call The Hot Seats' is written on every bathroom wall in Richmond, Virginia . . . The band has taken its raw talent and honed and crafted it precisely to sound easy and effortless.” - Rochester City Paper

“You can search far and wide and you will not find anyone playing old-time music with this level of sincerity and drive. Other young stringbands either... more

“I wonder if 'for a good time call The Hot Seats' is written on every bathroom wall in Richmond, Virginia . . . The band has taken its raw talent and honed and crafted it precisely to sound easy and effortless.” - Rochester City Paper

“You can search far and wide and you will not find anyone playing old-time music with this level of sincerity and drive. Other young stringbands either play it too safe, or so haphazard and punkish that it comes off as hokey and contrived. The Hot Seats know how to honor the tradition while bringing it into the modern era with rare intensity.” - Lanny Fields 2011

"Unmissable by anyone who is interested in oldtime music from the southern US. Appalachian music, bluegrass, jug band, and vaudevillian ragtime styles are all present and correct, with foot stomping virtuosity, humour, and, true to the album’s title, Feel.”

The Hot Seats play stringband music with simple intentions: to keep the role of traditional musician as entertainer and commentator alive and kicking. Homer and Jethro, The Skillet Likkers, George Formby, Harry Reser, Woodie Guthrie, Gus Cannon, Phil Ochs, Tommy Jarrell, Arthur Smith, Uncle Dave Macon, Frank Zappa – these are pools from which The Hot Seats draw. Their original music is simultaneously hard to classify and instantly identifiable, combining the virtuosic soloing and tightness of bluegrass, the band-driven rhythm of old time, the jerky bounce of ragtime, and the swagger of good old rock and roll. Add some eastern melodies, a few modernist ideals, and an uncanny feel for comic timing, and you begin to approach this sound.

While striving to push tradition forward, the band takes great pride in their ability to play within a tradition style as well as without. When it's bluegrass, they bring you back to the 1960's era of Flatt and Scruggs or Jimmy Martin; when it's old-time, they try and channel the Camp Creek Boys; when it's time for a bit of satire, it's the images of Frank Zappa or the Fugs towards which they gravitate. Ultimately, the Hot Seats are most concerned with making the music that they want to hear and playing in the manner that is most entertaining to themselves; the fact that audiences and critics alike have embraced it is almost a wonderful coincidence.

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